Welcome to the third post of the year of Living Authorly. Ironically, the rest of the Unreliable Narrators are at Boskone this weekend, and I am staying home to FINISH MY SEQUEL to The Vessel of Ra. Yes, this weekend, the 3rd draft is over, and I will send it off to the tender ministrations (?) of my readers for a couple of months. Also this weekend, a lot of professorial work. Can I have a booyah?
Right. Conventions. Right. Okay. I have been going to Science Fiction/ Fantasy/ Comics/ Gaming/ Animation conventions on and off since I was 19, which was a veeeerrrrryyyy long time ago. My reasons for going? Same reasons I’m doing this podcast, man. I’m a geek. A nerd. A fan. Formerly a costumer. I actually like the darned things! I was never faced with the author decision of not going to conventions, because, well, I’ve always gone to conventions. My problem was almost the opposite of many authors. How did I get people to stop thinking of me the way they’d always thought of me, as a fan, and think of me as an author? Or, as I became older and spent some time as a Secret Master of Fandom (Mindbridge Board President for countless year, me), how did I make the transformation to industry professional?
I have so much to say about conventions for professionals that I’ll be breaking this into several posts:
Cost to Attend
Promotion and Touring
Is the fan convention experience right for you? Just like the post I did on social media, a lot depends on you. Do you mind interacting with people when they are potentially socially awkward (as in, my peeps who like something so much they squee)? How much of an introvert are you? How much do you enjoy what the convention is celebrating? Do you like meeting and chatting with strangers? All of these are reasons to consider whether a convention is right for you or not.
Remember there are many different kinds of conventions: all the way from the small and personal (100 or so like 4th Street) to ridiculously record breaking and huge (San Diego Comics Con with 110K and counting). They come in all kinds of flavors as well, like the International Conference for the Fantastic in the Arts and Wiscon (both part academic con coupled with fiction and intelligent discussion. Vanilla Bean.) or Convergence (everything all at once, big, with lots of costuming and celebrations of fannish life. Ice Cream Parlor Kitchen Sink Sundae with extra Jelly Beans and Gummy Worms on top.) or D23 (Celebrates all things Disney for fans of all things Disney. Going this summer for the first time as a fan only, not a writer. I’ll get back to you, but I figure chocolate-coated Mickey ice cream bar on a stick.)
The first thing you’ll want to figure out is if the actual convention is what you’re looking for in terms of enjoyment and comfort. I usually use these criteria when I think about trying out a convention I’m not familiar with.
- Do the panels at the con interest me as an attendee? As a potential participant?
- What is the convention about? Do I have interest in this particular kind of gathering as a fan?
- Am I able to interact with people who would make me comfortable (are my author buddies going? are the fans attending likely to be interested in areas I am interested in? Am I interested in the guests?)
What you will notice is I don’t ask the question: Is my reading audience at this convention? I should totally get in the habit of asking that question, and it will probably influence cons I go to in the future, because I now have a book to support. However, the questions above are the most important to me, because if I’m not enjoying myself, I will not come across as a person whose work you might be interested in when you find out about my writing. A lot having an online presence, I don’t want my convention self to come across as forced or inauthentic, or be solely focused on my books.
Therefore, personally, I am likely to go to cons that have an academic component (see notes above about spending weekend as a professor), or have a writing track (yeah. That makes sense.), or discuss social issues or the kinds of fandoms I like, or just make me feel happy about being a fan (liking many things geeky got me into cons, after all.) There are conventions for so many kinds of fandom. Some cons appear to be one thing, but have surprising features. For example, I have been curious for a while about GenCon’s awesome writing workshop, and that’s a gaming convention, so always check out all the offerings of conventions you’re considering, even ones that seem on the surface like they’re not your type of con.
Every year, you can pretty much count on me being at Wiscon (Feminist SF Convention in Madison, and very close to me. Also a trip with 3 amazing friends, so bonus), Icon (my home base con that I used to help run. Now I run a writing workshop there during the con), Convergence (a con my husband and I do together, and one I geek out a lot at, plus can hang with author friends and be on panels). I do try to make a couple of other events a year. This year, I’m going to Minicon. I’ve never been, but Jim Hines, who I admire a lot and is a good author friend and now sensei is guesting, so I’ll be trying it out. Also, I’m returning to C2E2, a comics con in Chicago, because the guy who played the Punisher is going to be there, as is the voice of Kaos from Skylanders, and I am going just as a fan, but may snag potential podcasting interviews with folks I admire. In the past, I have hit Worldcon, San Diego Comics Con, 4th Street Fantasy (this one is a gem among cons for writers), Capricon, and my god, I’m just grocery listing now, but you get the idea. I’ve been going to cons for 33 years, and yeah, that’s a lot of cons.
There are so many types and flavors of conventions for you as a writer, of various degrees of proximity, I cannot help but encourage you to get online and ask people where they go and what they like. Go with a like-minded friend at first, if you can, so you can have an introvert buffer. You’ll play hit and miss until you find the venues that make you comfortable.
Next week over at Writer Tamago Post 4: Conventions–Being on Panels
Unreliable Alumni were well-represented on the 2016 Locus Recommended Reading List (and you better believe that both our TBR stacks and our TBI (to-be-interviewed) lists have grown!)
Ken Liu (Novels—Fantasy: The Wall of Storms; Collections: The Paper Menagerie and Other Stories; Anthologies—Reprints/Bests: Invisible Planets: Contemporary Chinese Science Fiction in Translation, editor/translator; Short Stories: “Dispatches from the Cradle: The Hermit – Forty-Eight Hours in the Sea of Massachusetts” (in Drowned Worlds); “Seven Birthdays” (in Bridging Infinity))
All hands are on deck to discuss the life and work of Alfred Hitchcock, one of the most prominent film directors of the last century. What made his films work? Did his obsessions help or mar his legacy? Bonus exploits of Chia the Agent’s Assistant and Student Cath shrieking in the study carrels.
This month I wrote 2200 words, most of it on the revision train. I had expected to finish The Pawn of Isis and send it out to beta readers today. But…my mother died. Very quickly, of cancer. There were hospital visits, and then funeral arrangements, and apartment clearing, and grief, then grief with illness. Right now, I think I’m beginning to get back on my feet. Ask me if I could write through any of that. I clocked 1.5 hours of sheer escape. And that’s it. Desperation writing, which I could not find more time to do.
There are those writers who will tell you that you must write every day, or else you are not serious. Well. I think that advice really, really needs to change. I am a serious writer. Hey, I am the turtle of writing. Slow and steady, in pre-planned time chunks, never a sprinter, always a plodder, moving forward in the way each book demands. I have a full-time job. Relationships I value. I am not a procrastinator. And yet, I don’t write every day.
Some days, I can’t write. Maybe work was too demanding. Maybe I’m tired or sick. Maybe the unexpected has occurred. As a matter of fact, many, many writers have full-time jobs and other obligations. I begin to think that most of us do these days. We value insurance, we value retirements. We value human contact. And a stable income that comes at reasonable intervals
I am not dissing full-time writers. I am saying that my career plan is very different. And even if my career plan weren’t, I suspect most writers would have a hard time finding voice with the month I’ve had. Many of us are having trouble with the current climate of our country.
I believe we need to be gentle and forgiving with ourselves. I could berate myself for my not reaching my goal, but I just can’t see it right now. I’m not a machine. We are not machines. We are human beings, artists, who feel deeply, else we would not be writers, artists, creators. And we live in extraordinary times. Sometimes the times inflict the extraordinary upon us.
Write when you can. Write when it gives you joy. Don’t make it a chore or a goal you didn’t reach. And when you can write, appreciate the gift of time, the gift of motivation, the gift of creativity. Right now, that’s what gives me light and hope.
The first (only?) round of E’ville is out the door as of yesterday. Many thanks to everyone who contributed in ways great and small–no way would this have been possible without all of you. I have quite a few thoughts about the whole process and what it’s taught me; rather than push all the podcasts off the front page, I’ve shared it on my own blog.
We’re just getting warmed up. Stay tuned for more off-kilter side projects!
Cassie seizes the Sharp empire. Ross leads a siege of the cannery. Eddie is caught between sides as the E’ville docks explode.
Full credits on the episode page.