Suspiria is a 1977 Italian horror movie directed by Dario Argento. I watched the English language version, which I’m guessing was dubbed. I’ve heard a lot about this movie over the years – it’s on a ton of best-of lists – but I’ve never seen it. To tell the truth, I wasn’t crazy about the Dario Argento movies I’d sampled, and certainly didn’t expect this one to knock me on my ass (spoiler: it did). I borrowed Suspiria from my local library, because I couldn’t find it streaming for free.
The plot: Suspiria doesn’t have a plot, but here goes. Suzy, a young dancer from America, joins a prestigious German dance academy. Suzy arrives during a downpour in the middle of the night and witnesses a fellow student fleeing into the forest. She never returns. The Tanz (which means Dance, no points for originality) Academy looks like the palace of an evil queen. Suzy’s fellow students are all right, but the instructors – led by Miss Tanner – are a bit off. We get the sense something’s wrong with them, although it’s hard to tell what. In fact, the plot revolves around the question ‘where do the instructors go at night?’
That’s the basic plot. What follows is a pastiche of vivid images, knives, pierced hearts, barbed wire, mad dogs, crazy bats, maggots, an undercurrent of Technicolor sadism surfacing suddenly and then slipping away. There are scenes of people flying…just because we don’t see them doesn’t mean they’re not real. With murders as finely choreographed as any ballet, Suspiria bursts with bright, pastel colors; the reds are so very red. The eerie soundtrack, composed by the rock band Goblin, heightens the effect.
Suspiria is an evil fairy tale. Perhaps ‘old school fairy tale’ would be the better way to put it. In the unexpurgated version of Little Red Riding Hood the wolf eats the girl. Much of this movie’s imagery reminded me of The Shining, which makes sense because both movies are obsessed with fairy tales. I was surprised by how much I liked Suspiria, even on a second viewing.